LASERS Review

It has been way too long. That is mostly my fault. We haven't blogged in a long time mainly because our lives have somehow become incredibly busy (yea still wondering when that actually happened). However, I will try to post more on the blog as of now mainly because the written word is still the best way for me to express my emotions and thoughts (seriously I'm really quiet and reserved, just ask Franny) and also because I like to believe (foolishly) that somehow, somebody out there in the world actually cares about what I think; but I digress.

My last post was about Lupe Fiasco so now that his much anticipated album Lasers (Love Always Shines Everytime Remember 2 Smile) has actually come out what better way to get back into blogging than posting an album review? I bought the album the day it came out but admittedly I've had the bootleg for a good month or so (I waited 3 years for this album and did not mention to anyone I had it out of respect to the artist). To those who are Lupe fans and haven't bought it yet 'cause they already have the bootleg I advise you to buy the album (it doesn't cost that much) so that Lu's label will be happy and we get even more music from Lupe, mainly that Food & Liquor 2: The Great American Rap Album gets released on time (though if I have to I will wait like I did for The Cool and then Lasers).

It has been over two and a half years since Lupe Fiasco wrapped on the first tracks for what would become his third album, Lasers. What followed was chaos and pun fully intended, a fiasco. to make a long story short: Atlantic Records rejected the tracks deeming that the album was not marketable, froze Lupe’s production budget, and Lupe requested to be let out of his contract. Atlantic refused to drop Lupe or his album, loyal fans protested in the artist’s defense, and the label conceded to release the album if Lupe made some serious sacrifices. He compromised with Atlantic and voila Lasers had a release date. If you’re looking for a detailed history of the ordeal, the folks over at Ology have done a great job in bringing the whole story together.

I’ve been a huge fan and supporter of Lupe since his early beginnings (I've written for 2 blogs about his music) so I was eagerly anticipating this album. However, it’s obvious that this isn't a normal Lupe album. By Lupe’s own admission in an interview with Complex, Atlantic had their hands all over this record and forced him to do certain songs, rap a certain way, and use certain hooks and beats. Lasers is mostly Atlantic’s album when compared to The Cool or Food & Liquor, which were entirely Lupe’s albums and it’s obvious. In the interview mentioned above Lupe said he loves certain parts of the album and hates others not only 'cause of the music but because of what went on behind the scenes and the pressure that was exerted on him to compromise his creativity. I have a feeling fans will also have a love/hate thing goin' on with this album.

However, Lasers is still a fantastic record if you look at it objectively. As a Lupe album it fails to deliver to the expectations of the hardcore fanbase. It's an album that is entirely different and that should be ok with the fans. Just because he's great at making records in a certain way that should not limit his ability to try his creativity out of his normal realm and push the boundaries of his talent. Also I think this album was necessary for Lupe's progression and evolution as an artist because the one thing about this album is that it is extremely radio friendly and appeals to a wide array of demographics and these are good things for Lupe because the core fanbase will always be there but this album is open to a whole new audience that may be experiencing Lupe's music for the first time ('cause they only listen to chart-toppers).

Also, contrary to some reviews, the lyrics are not overly dumbed down and certain songs such as "All Black Everything", "Word I Never Said", "Beautiful Lasers (2 Ways)", "Till I Get There" and even "The Show Goes On" are every bit as complex and intuitive as Lupe's past work. The lyricism is still great and even on a track like "I Don't Wanna Care Right Now", which is heavy with the electro-pop sound that Atlantic seemed to push Lupe on, is really enjoyable to listen to because of the lyricism and flow. With that said I have to admit that the use of auto-tune on some tracks put me off a bit. Case in point: "Beautiful Lasers"; this was a song I listened to live when Lupe came to Seattle and it was my favourite of the snippets he provided to the fans that day but the use of auto-tune on the hook in the album version put me off a bit because the original song I heard just sounded so much cleaner without auto-tune and flowed much better. "Beautiful Lasers" is still a very good song but the non-synthesized version was great.

I was also really disappointed with the fact that Lupe's frequent collaborator Soundtrakk didn’t have a single production on this album. I believe he is a key factor of Lupe’s sound and holds his albums together. For those who don’t know, Soundtrakk did the beats for and co-wrote Lupe's biggest hits: “Kick, Push” and “Superstar”, plus he produced five songs on Food & Liquor and more than half of the songs on The Cool. They have great chemistry together and Soundtrakk is definitely capable of producing massive hits for Lupe that are loved by both fans and the general public as he has proven. I don't know the situation but if this was a decision by Atlantic they must be profoundly stupid because I can't fathom any reason why they wouldn’t want him to continue contributing to Lupe’s albums.

There are some good songs on this record and while some of the lyrics are not nearly as complex as the dense lyrics on his mixtapes or first 2 albums, Lupe’s message still comes through pretty clearly and he still brings the heat on most of the tracks. The album starts off very strong with “Letting Go” featuring Sarah Green followed by, “Words I Never Said” and “Till I Get There” (produced by long-time collaborator Needlz) which has a real old-school hip-hop feel to it. “State Run Radio” is a great song despite the chorus (which was sub-par in my opinion) and takes out his frustration with the music industry. "All Black Everything” is definitely the most hip hop sounding track with strings and hard drums. The album closes with “Never Forget You” featuring John Legend. Even though Lupe said he had little to do with this song and it was submitted to him by Atlantic, it’s actually pretty catchy (I guess the label did good work on that front) and ends the album on an optimistic vibe.

It’s a heartbreaking thing to see someone you admire being taken advantage of by the music industry. It breaks the idea of an artist, producer and writer actually working together in the same room to create songs they want to make. Instead, Atlantic records exposed the music industry as a bunch of cut-throat faceless business executives whose job is solely to create hits with little care for the artistic integrity and individual creativity of its signed artists. With that said take Lasers for what it is because it delivers as a pop-rap record and honestly it's still better than most of the major rap releases in the last year or so. To me this record is a stop-gap/experiment in order for Lupe to make the music he actually wants to make.

Notable Tracks: "Letting Go", "Words I Never Said", "Till I Get There", "The Show Goes On", "Beautiful Lasers", "State Run Radio" and "All Black Everything"

Grade: 8.75/10

Peace and Much Love to Ya :)

MTV Offers Lupe Fiasco Some "Career Advice"

So today being a #FiascoFriday it was only too appropriate for the haters to come out and bash the way Lupe goes about his business. An MTV article claims that because Lupe doesn't drop a new track every week that he's fading out of the public imagination, hence the album delay. They also sort of inferred that Lupe doesn't deserve the #FiascoFriday protest, that is being held on October 15th outside of the HQ of Atlantic Records in New York, because he doesn't "deliver" to his fans on a more consistent basis.

One of MTV's main arguments was the fact that Lupe passes on "hit" records and refuses to record the types of songs that get massive radio play. Specifically the fact that Lupe passed on "Nothin' on You" and instead gave it to labelmate B.o.B. What MTV forgot to tell was that Lupe did initially record his own version of "Nothin' on You" but when he heard B.o.B.'s version he felt that it would be more of a success than his previously recorded version and guess what? it was. So a selfless act to give a labelmate a push in the public sphere gets Lupe criticized for not being selfish enough (yea that's what you want to teach kids right?). MTV instead makes it seem like Lupe passed on "Nothin on You" because he thought it would be a success. Seriously? who thinks like that? That's like a baseball player saying he's not going to use a bat to hit because he could actually get a hit (yea it makes no sense to me either).

Another thing that the article brought to the front was that if Lupe is actually all about the music why doesn't he just release L.A.S.E.R.S. as a mixtape? This is where the label politics and legal jargon come in. An album differs from a mixtape in the fact that the money provided to create it comes from the label versus a mixtape which an artist pays for themselves and sometimes the label will pitch in. Therefore an album is an entity of the label and not the artist themselves. This is why artists don't make crazy amounts off album sales because they only get a percentage of the profits and most of the profits go to the label in order for them to one, at least break even on the production value of the album and two, to create a profit (the album makes more than it took to make). Therefore if Lupe were to "release" L.A.S.E.R.S. without Atlantic's permission it could possibly be a breach of his contract (not totally sure about this 'cause I don't know what the particulars of the contract are) and Atlantic would have the right to sue him.

Anyway, Lupe fans went on the offensive and flooded Twitter and Facebook with messages of support aimed at Lupe and bashing MTV for it's um, "advice" to a critically acclaimed artist. It wasn't just fans either, artists like Chamillionaire and fellow All City Chess Club member Wale, also gave their endorsements to Lupe.





MTV has once again incensed the Lupe fans and let's all hope it's for the best and results in the release of L.A.S.E.R.S. I've been waiting for the album since the Cool dropped and I'll continue to wait but in the meantime I'm going to continue listening to the timeless and countless Lupe mixtapes and his 2 studio albums (by the way I did BUY the albums when they dropped) that have messages in them that ring true to this day. Certain artists get immortalized with their music and that's what Lupe's music will be like. It'll be remembered years from now and still ring true. Just like Tupac who some (like me) regard as the greatest rapper of all time. 'Pac didn't have an extensive mixtape collection or a large quantity of studio albums but his music lives on forever because he was a true poet that stayed true to his craft and didn't hold back in sending out the truths of society. If Tupac is the Malcolm X of rap then in my opinion Lupe Fiasco is the Martin Luther King Jr. of rap.

Peace and Much Love to Ya :)

*you can read the original MTV article here*

R.I.P. Ian Cameron

UK Prime Minister David Cameron's father, Ian Cameron, died earlier today after suffering a stroke while on holiday in France. The Cameron family was at his side shortly before he passed away. I know many of you don't follow UK politics and this actually isn't political, but I wanted to give a bit of background information about the life of an inspirational person.

Ian Cameron was born with very deformed legs. His father had little faith in his ability to fit in but nothing ever held Mr. Cameron back. He played many sports in school, even football; nobody could tell him he couldn't. In his adult years, Mr. Cameron persevered to become a successful stockbroker just like the generations before him. He went through several surgeries in his lifetime, especially in his youth, to ease the pain from his legs, but later had both legs amputated and lost the use of one eye due to an infection. Regardless of the appearance of misfortune, Mr. Cameron was very adamant about leading an extraordinary life, passing on the same attitude to his children, one of whom is now the prime minister of the United Kingdom.

Prime Minister Cameron has always praised his father and said this during the campaign:

"My father is a huge hero figure for me. He's an amazingly brave man because he was born with no heels – quite a disability. But the glass with him was half-full, normally with something alcoholic. I think I got my sense of optimism from him."

The House of Commons sent their condolences today prior to the Prime Minister's Questions period, which was led by Deputy Prime Minister Nick Clegg.

I just wanted to add that President Sarkozy of France gave the Cameron family a helicopter to use so that they could get to the hospital as soon as possible. Great man.

May our thoughts and prayers be with the Cameron family at this difficult time.

- Franny.

A G.O.O.D. Ass Mixtape

Ahead of the November release of his fifth studio album, Kanye West along with longtime friend/collaborator/blogger Perajok have released a brand new mixtape. The aptly titled G.O.O.D. Ass Mixtape features 30 tracks of music and skits from Kanye and artists signed to his G.O.O.D. (Getting Out Our Dreams) Music label, including Kid Cudi, John Legend, GLC, Big Sean, Fonzworth Bentley, Tony Williams, and Mr Hudson among others. This will clearly be the prelude of the anticipated domination by Kanye's camp in the coming Fall.

Whether you like him or not, it’s clear Kanye is working his way out of the trenches that his big mouth got him into (one of the biggest faux pas' of all-time!!), and he’s showing just why he IS the superstar that he is. Recently he's done new songs, new videos, new appearances, new tweets (yes Kanye FINALLY has a twitter, and it has been every bit as entertaining as I thought it would be)… and now a new, FREE mixtape. Some people might argue that it’s too much too late to make amends, but if he’s working on a change, then maybe we should give him the benefit of the doubt.

But I digress, the mixtape itself is a great sample of what is to come from the G.O.O.D. crew. As a label it's always great to give a sample of what is to be expected. With that said, it has to be pretty stellar to grab the audience's attention. This mixtape certainly does that as it provides not only a deep tracklist but also good music to listen to. It includes some new songs and some snippets of new songs to come as well. All in all a very solid effort. You can listen to the mixtape below courtesy of Hypetrak and then download it here. Enjoy!!


Perajok & Kanye West Present: G.O.O.D. Ass Mixtape by Hypetrak

Peace and Much Love to Ya :)

The Chase For 600

600 home runs. Only six players in the history of Major League Baseball have achieved this feat (Barry Bonds, Hank Aaron, Babe Ruth, Willie Mays, Ken Griffey Jr. & Sammy Sosa) 2 of them will have a dreaded asterisk beside their names in regards to their “alleged” involvement as active participants in the steroid era. Sammy Sosa, is one of them and has the least of the 600 club with 609 career homeruns and the other is the all time leader in homeruns, Barry Bonds, who has a total of 762 career homeruns. These 2 players are often called out as cheaters and many baseball fans disregard their homerun totals and many still believe there are only 4 members of the 600 homerun club and that Hank Aaron is the rightful “homerun king”. As baseball records go, joining the 600 Club is a very big deal (it’s much more difficult to achieve than 3,000 hits or 300 wins). Now there is another player on the cusp of making it into this prestigious club and no one seems to care. Why?

Alex Rodriguez is an enigma, he has been, in my opinion, the 2nd best player in the last 35 years (Ken Griffey Jr being the best between 1989-2000) and the best player in the last 10 (mainly ‘cause Griffey’s body broke down with various debilitating injuries). However, instead of being celebrated as one of the greats in the game A-Rod is continually hated by a vast majority of baseball fans despite him wanting everyone to love him. He was one of my favourite players growing up because he played for my home team the Seattle Mariners (even though I grew up in Vancouver) and his departure from the Mariners was the beginning of his vilification.

What’s so different about A-Rod? After all Griffey left the M’s too but instead of being hated Griffey is celebrated as the greatest Mariner of all time. I believe what makes A-Rod different is three things. First, in 2000 A-Rod had become the M’s cornerstone player as they had dealt their 2 biggest established stars in Griffey and Randy Johnson after losing to the Yankees in the ALCS (yea the M’s were THAT good back in the day) in the hope to rebuild around A-Rod. So he was now the face of the franchise. However, it was not meant to be as a bidding war erupted for A-Rod unlike any other player at the time and the M’s simply could not financially compete with the New York Mets and the Texas Rangers. In the end A-Rod spurned the Mets, who were a better team, for the much inferior Rangers and an absurd contract (10 years/$252 million). No one can blame A-Rod for taking the money but it seems everyone does, he was seen as a sell-out and also someone who hampered his team as the Rangers couldn’t field a competitive team simply because they couldn’t pay anyone else (they’re still feeling the effects of that deal as they head into bankruptcy court). Despite all of that A-Rod had 3 of the best seasons of his career (although we now know they are tainted).

The 2nd reason people hate A-Rod is because he is now also tainted with the steroid asterisk. Why is this more significant for him? It’s because when everything surrounding Barry Bonds and steroids was settling down and it was evident Bonds’ record was tainted; the hope was A-Rod (then thought of as a “clean” player) who had vehemently denied steroid use would be the saviour to reclaim the record. Even the biggest A-Rod haters held out for this hope because they could at least respect the record but when he came out last year and admitted to using performance enhancing drugs and lying to baseball fans about his PED use, it was a big blow to baseball and like a punch in the proverbial “balls” (I’m not trying to be sexist ladies) of baseball fans. So now the haters became uber-haters and A-Rod became another example of “cheating the game” for baseball purists.

The 3rd reason why A-Rod’s “chase for 600” has been so irrelevant is because he isn’t the best everyday player on his team right now, that’s Robinson Cano who recently hit his 1000th hit, and he’s not the face of the franchise, that belongs to the much loved and respected Derek Jeter. So much for all that talk about A-Rod finally earning his pinstripes in this past year's playoffs. He’s been the 3rd best 3rd baseman in his division this year, behind Tampa Bay’s Evan Longoria and Boston’s Adrian Beltre. Also, A-Rod turned 35 on July 27, and reports have surfaced that his age and his bothersome hip are both starting to eat at his skill. Meanwhile, statisticians and fans have been debating about whether the Yankees will regret the seven years left on A-Rod's 10-year, $275 million contract and whether his power numbers will stay high enough to pass Bonds' all-time home run record of 762.

A-Rod's talent is unquestioned. But it's bizarre, fans don’t see an A-Rod at-bat as a must-see event. You rarely hear talk about how he's about to enter the realm of baseball's all-time gods which is justified by his stats. Maybe it’s been all the off-the-field dramas that surround him or maybe it’s true that he is the most vilified athlete in sports because of his personality, or maybe the game of baseball is changing and instead of seeing homeruns, fans would rather watch someone like Washington Nationals phenom Stephen Strasburg, who has taken the league by storm, throw 100 mph fastballs and back breaking curveballs to strike out 10+ batters a game. One thing is certain, A-Rod will hit 600 homeruns and many more, maybe he’ll break the all-time record or maybe he won’t but one thing is clear, nobody outside of New York (and even some in NY) cares if he does. This brings up an even bigger question, what will A-Rod’s legacy be? Will he ascend to be one of the baseball gods as the stats suggest or will he just be remembered as a great player in a very flawed era?

Peace and Much Love to Ya :)

"Teflon Don" Review

Rick Ross isn't in my top 10 as far as emcees go in the game right now but I would put him in the top 15 that's just me though, others however love his style and laud him as one of the best rappers out right now and that's fine with me 'cause I respect everybody's opinions and realize we all have different tastes. Prejudices aside, I did take a fairly objective view towards his latest release: Teflon Don

Since his hit single “Hustlin’” came out in 2006, Rick Ross has become a heavyweight in the hip-hop game (much to the dismay of 50 Cent) and it's evident in this release. Teflon Don stands on three legs: Ross’ image, the album’s impressive production value, and its supporting cast of featured artists. Seriously, Ross proved he's got some serious superstar cred with the supporting cast on this album with tracks from producers like: J.U.S.T.I.C.E. League, No ID, The Inkredibles, Kanye West and Danja just to name a few.

It doesn't stop there either as Ross pulled out some big names for appearances as featured artists, such as: Jay-Z, Kanye, T.I., Drake, Jadakiss, Erykah Badu, Ne-Yo, Diddy, Trey Songz, Gucci Mane, Raphael Saadiq, Styles P and Raekwon. That is an impressive gathering of course but it is also a negative for the album. Sure collaborations are great, but when 11 of the 12 tracks have featured artists with heavy lyrical input it devalues the album as truly just Rick Ross'. Rather it sounds like the album should be titled, "Rick Ross and friends present: Teflon Don".

Ross has improved his wordplay on Teflon Don, which helps the listener forget the utter lack of depth in his lyrics. He just doesn’t have much to say (hence all the artists, maybe?). With Ross, you simply have to take what you hear at face value. He has money, he thinks he’s awesome and yes, he loves his sunglasses. Rick Ross often gets criticized for his less-than-proficient lyricism, and rightfully so (which is why he'll never be in my top 10), but I can’t help but enjoy Teflon Don. Look at the featured artists and try not to be intrigued; Ross is the definition of commercial rap, and he clearly understands the business of hip-hop.

The impressive production value puts this album over the top because it is so beautifully constructed by the myriad of producers providing the beats. Each track seamlessly flows to the next and all in all it's a fun album to listen to. Take it for what it is because it doesn't fail to deliver.

Notable Tracks: "Free Mason feat. Jay-Z", "Aston Martin Music feat. Drake and Chrisette Michele", "Audio Meth feat. Raekwon", and "All The Money In The World feat. Raphael Saadiq"

Rating: 3.75 Stars (out of 5)

Peace and Much Love to Ya :)

Raptors YoungGunz Dunkoff!!

I've been pretty sick so I haven't been able to type a real thought provoking article but I did promise a post soon and I don't ever go back on my promises. So I decided for this post to keep it fun. For those of y'all who know me personally know that I am a huge Toronto Raptors fan (I still secretly like the Grizzlies even though they left our wonderful city). And with Chris Bosh heading down to Miami (I told y'all that's why he cut his dreads for the fade lol) some Raptors "fans" have abandoned ship but not me. Why? 'Cause of the "Young Gunz" of course!! (also 'cause I stick with my teams through the good and the bad)

The original 3 members of the "Young Gunz" are Amir Johnson, DeMar DeRozan and Sonny Weems. These guys play a fun and high-flying game and it was shown last season. Although they have all been working hard during the Summer to improve, and it's shown as we went 5-0 in Vegas Summer League!! Sonny and DeMar not only participated but were the leading scorers and carried the team, they took some time out after a workout in Toronto to challenge each other to a dunk off to determine who's the best dunker on the team. After watching the video y'all can head on over to www.amirjohnson.com and vote for who you think is the best dunker. right now Amir leads with 49.19% of the vote while DeMar is in 2nd with 41.74% and Sonny is last with the remaining 9.08% of 39,137 votes!! Oh and the losers have to wear tights through downtown Toronto which I'm sure will be filmed by AmirTV. Hope y'all enjoy it and don't forget to vote!!




Peace and Much Love to Ya :)